Gone Girl — the Movie
There are a few spoilers here, so be alert (but if you’ve read the book, you already know them). Went to see Gone Girl this afternoon at its opening performance in my local cineplex, and it did not disappoint the hi expectations I had for it, based on the excellent novel by Gillian Flynn (read it twice!), who also wrote the screenplay. I’m a big fan of Gone Girl director David Fincher, who has Fight Club, Seven, The Panic Room, and Zodiac among his credits.
First off, the movie is visually beautiful, not that such a thing is important, but anyway. And Flynn\Fincher handle the various stories and different times\places very smoothly. We start with Nick Dunne (Ben Affleck, very good) talking to his twin sister Margo (Carrie Coon, pretty unknown in movies but excellent) about his 5th wedding anniversary and what do do for his wife. Nick goes home to find his wife Amy (Rosamund Pike– remember her name) gone and impossible to locate, which leads to a massive search and much police attention on the less-than-suitably-distraught husband, Nick. (One of my movie favorites, Kim Dickens, expertly plays the detective who’s investigating the Dunne disappearance (or is it homicide?)).
Rosamund Pike gives one of the great Black Widow performances in my recollection, and there have been many, with plans in the works for Scarlett Johanssen to play the Avengers Black Widow character in an upcoming movie. In the movies, a black widow character is a woman who kills, betrays, or otherwise engages in illegal\immoral\unpalatable behavior to advance her nefarious ends. Pike essentially has to play two characters, the Amy who is married to Nick and fiendishly plans both her disappearance as well as the appearance that Nick had all sorts of motives to kill her; and she also plays the disguised Amy character who goes on the run the day she becomes “gone girl.”
A lot has been written about both book and movie, with likely more to come, as we parse whether or not the book\movie are misogynist, misandrist, or other. My view is that Nick deserves to get his life pretty much ruined by Amy, though the last part of the movie (like the book) leaves in doubt what the new terms of their arrangement will be. Best comment I’ve read noted that the movies shows just how close “marital detente” is to “homicidal rage.” I predict Oscar nominations for Pike and Fincher, and it seems to me that Gillian Flynn is a mortal lock for the Best Adapted Screenplay Oscar- – but who knows what I’ve missed and what will happen in movies by the end of 2014?